Analisis Ciri Khas Busana Modern di Rowdra Dance Class sebagai Identitas Visual Komunitas Tari

Authors

  • Dwi Kinanti Universitas Negeri Semarang
  • Universitas Negeri Semarang Universitas Negeri Semarang

DOI:

https://doi.org/10.55606/jurrsendem.v5i2.9766

Keywords:

Contemporary Dance, Dance Community, Modern Fashion, Performing Arts, Visual Identity

Abstract

The development of modern dance in Semarang City has spurred the emergence of various dance communities, each possessing distinct characteristics and visual identities. One community with a strong signature style is Rowdra Dance Class, which consistently blends modern and traditional elements in its costume designs. This study aims to describe the distinctive features of the modern costumes used by Rowdra Dance Class as the community's visual identity. A qualitative method with a descriptive approach was employed. Data collection involved in-depth interviews, observation, and documentation, with informants comprising the owner and dancers of Rowdra Dance Class. Data analysis was conducted through the stages of data reduction, data presentation, and conclusion drawing. The results indicate that the signature style of Rowdra Dance Class costumes lies in the fusion of modern and traditional elements, the use of bold and diverse colors, the incorporation of Indonesian ethnic motifs and accessories, and an aesthetic that is unique, luxurious, and distinctive. The consistent application of this costume concept makes Rowdra’s outfits easily recognizable and serves as a visual identity for the dance community. This study implies that costumes serve not merely as performance accessories but also as a medium for representing identity, character, and cultural values ​​within the performing arts community

Downloads

Download data is not yet available.

References

Amirulloh, T. M., & Badaruddin, S. (2024). Aesthetics of makeup and costume design in the dance “Cisondari”: Unveiling local cultural identity. JDDES: Journal of Dance and Dance Education Studies, 4(2), 139–157. https://doi.org/10.17509/jddes.v4i2.75801

Aryani, K. A. J., Arshiniwati, N. M., & Sutiawati, N. L. (2022). Estetika tata rias dan tata busana tari Baris. Jurnal Pendidikan Seni, 2(3). https://doi.org/10.5281/zenodo.7672810

Ding, Q. (2024). Research on the inheritance and innovation of traditional elements in modern clothing. Communications in Humanities Research, 35(1), 47–51. https://doi.org/10.54254/2753-7064/35/20240021

Ermilova, D. Y. (2020). Costume as a form of visualization of ethnicity: From tradition to modernity. Rupkatha Journal, 12(6), 1–14. https://doi.org/10.21659/rupkatha.v12n6.20

Ezeajugh, T. U., & Ume, J. A. (2025). Dance costumes as expressions of cultural identity: A study of selected cultural dances. Ideas Spread, 1(1), 34–40. https://doi.org/10.30560/fad.v1n1p34

Fadli, M. R. (2021). Memahami desain metode penelitian kualitatif. Humanika, 21(1), 33–54. https://doi.org/10.21831/hum.v21i1

Farlina, N. (2024). Digital rituals and cultural remix: Visual semiotic analysis of Tari Piring adaptations on YouTube in Indonesia. Harmonia: Journal of Music and Arts, 2(2), 89–102. https://doi.org/10.61978/harmonia.v2i2.670

Helve, T. (2022). Costume design and collaboration in Finnish contemporary dance in the early twenty-first century. Aalto University School of Arts, Design and Architecture.

Ilhami, M. W., Nurfajriani, W. V., Mahendra, A., Sirodj, R. A., & Afgani, M. W. (2024). Penerapan metode studi kasus dalam penelitian kualitatif. Jurnal Ilmiah Wahana Pendidikan, 10(9), 462–469.

Istighfaria, K. W., Putro, G. M. H., & Yanuartuti, S. (2022). Sparkling Surabaya dance: Kajian estetika desain busana karya tari Sparkling Surabaya. Gondang: Jurnal Seni dan Budaya, 6(1), 162–171. https://doi.org/10.24114/gondang.v6i1.31198

Kadek, N., & Diantari, Y. (2025). The harmonization of tradition and sustainability: Costume design in Kalpataru contemporary dance. Lekesan: Interdisciplinary Journal of Asia Pacific Arts, 8(2), 90–99. https://doi.org/10.31091/lksn.v8i2.3509

Kapsali, M. (2020). Performer training and technology: Preparing our selves. Routledge.

Lestari, E. S., Sugianto, H., Penelitian, A., Sato, M., Rahman, K., & Sato, T. M. (n.d.). Studi analisis desain kostum tari Malateh Sato’Or di Sanggar Seni. Jurnal Pendidikan Seni dan Budaya.

Miroto, M. (2022). Dramaturgi tari. BP ISI Yogyakarta.

Monks, H., Costello, L., Dare, J., & Reid Boyd, E. (2021). “We’re continually comparing ourselves to something”: Navigating body image, media, and social media ideals at the nexus of appearance, health, and wellness. Sex Roles, 84(3), 221–237.

Novitasari, V., & Indriyanto. (2021). Estetika pertunjukan Tari Denok karya Bintang Hanggoro Putra. Imaji: Jurnal Seni dan Pendidikan Seni, 19(1), 16–27. https://doi.org/10.21831/imaji.v19i1.37646

Puji Prabowo, D., & Sunarmi. (2025). Estetika visual, simbolisme, dan fungsi sosial kostum Tari Topeng Setyotomo Glagahdowo Tumpang. Jurnal Citrakara, 7(4), 396–407.

Qorib, F., Oktarina, R. A., & Ermelinda, J. J. (2023). Penggunaan busana sebagai bentuk ekspresi dan identitas mahasiswa di media sosial. Jurnal Komunikasi Nusantara, 5(2), 236–251. https://doi.org/10.33366/jkn.v5i2.386

Renata, O. P., & Yanuartuti, S. (2025). Busana dan budaya. Jurnal Busana dan Budaya, 5(1), 39–47. https://doi.org/10.24815/jbb.v5i1.43780

Reyfa Erlangga, R., Mariasa, I. N., Wahyuning Handayani, E., & Jeylita Paramacitha, N. L. N. (2025). Makna simbolik busana Tari Barongan Sodo: Interpretasi etnokoreologi terhadap nilai tradisi lokal. Jurnal Kreativitas dan Studi Tari, 24(2), 200–211. https://doi.org/10.33153/grt.v24i2.7935

Rina Maharani, N. P., Agus Mayuni, P., & Widiartini, N. K. (2025). Identifikasi tata rias wajah, busana, dan aksesoris Tari Trunajaya di Kabupaten Buleleng Kota Singaraja. Bosaparis: Pendidikan Kesejahteraan Keluarga, 16, 82–92. https://doi.org/10.23887/jppkk.v16i3.105025

Rokhim, N., & Murtono, T. (2025). Dance costume innovation through abstract batik collaboration: MSME mentoring model based on performing arts and design. International Journal of Innovative Science and Research Technology, 10(8), 2456–2165. https://doi.org/10.38124/ijisrt/25aug1371

Semiotika, A., & Barthes, R. (2025). Representasi fashion Instagram Irish Bella. Jurnal Basataka (JBT), 8(2), 852–860. https://doi.org/10.36277/basataka.v8i2.945

Shaesa, G. N. (2021). Tari Angglang Ayu di Kepulauan Riau dikaji dalam perspektif analisis koreografi. Jurnal Seni Tari, 10(1).

Specific, S., & Helai, D. (2020). Studi penciptaan karya. Jurnal Penelitian Seni Budaya, 12(1), 33–43.

Suharno, Fitra, A., & Ganefiani, S. (2021). Model konstruksi tanda dalam penciptaan busana. Panggung: Jurnal Seni Budaya, 31(4), 527–536. https://doi.org/10.26742/panggung.v31i4.1931

Syifani, D. S., & Utina, U. T. (2025). Estetika tata busana Tari Matirto Suci Dewi Kandri di Desa Wisata Kandri Kecamatan Gunungpati Kota Semarang. Ranah Research Journal of Multidisciplinary Research and Development, 7(6), 4176–4188. https://doi.org/10.38035/rrj.v7i6

Downloads

Published

2026-07-13

How to Cite

Dwi Kinanti, & Universitas Negeri Semarang. (2026). Analisis Ciri Khas Busana Modern di Rowdra Dance Class sebagai Identitas Visual Komunitas Tari. Jurnal Riset Rumpun Seni, Desain Dan Media, 5(2), 391–405. https://doi.org/10.55606/jurrsendem.v5i2.9766