Kekuatan Genggaman : Golok Ciomas Simbol Kehormatan dan Tradisi
DOI:
https://doi.org/10.55606/jurrsendem.v4i2.6792Keywords:
Banten Culture, Ciomas Machete, Grip Strength, Symbol Of Honor, Tradition PreservationAbstract
The Ciomas Golok is one of Banten’s intangible cultural heritage items, carrying profound historical, philosophical, and social meaning. More than a traditional weapon, it represents identity, honor, and the spirit of resistance against colonial rule. This study explores the origins and genealogy of the Ciomas Golok, analyzes the philosophy of “grip strength” encompassing physical, mental, and spiritual dimensions, and explains its role as a symbol of honor within Banten society. The research also examines its transformation in the modern era and compares it with other traditional weapons in the Nusantara and abroad. A qualitative method with a cultural ethnographic framework was applied. The research took place in Ciomas District, Serang Regency, as well as in museums, traditional markets, and cultural festivals. Data collection involved participant observation, in-depth interviews with blacksmith masters, community leaders, cultural figures, and youth, supported by literature documentation. Data analysis employed semiotics and symbolic anthropology, with validity maintained through triangulation of sources, methods, and theories. Findings show that the Ciomas Golok dates back to the Banten Sultanate era, evolving from an agricultural tool and weapon of resistance into a cultural artifact and creative economic commodity. The philosophy of “grip strength” highlights holistic values the golok as a symbol of honor, responsibility, and solidarity. Its continuing presence underscores the urgency of preservation. The study concludes that safeguarding the Ciomas Golok requires collaboration among blacksmiths, local communities, government, and academics to ensure its ongoing relevance as both a cultural emblem and an expression of Indonesian national identity.
Downloads
References
Amda, K., & Fitriyani, R. (2019). Membaca ekspresi wajah. Penerbit Genesis.
Arisky, L., & Fauzi, A. M. (2024). Tradisi jamasan pusaka pada bulan Suro: Penggabungan nilai budaya Jawa dan ajaran agama Islam. Panangkaran, 8(1), 52-65. https://doi.org/10.14421/panangkaran.v8i1.3407
Creswell, J. W., & Creswell, J. D. (2017). Research design: Qualitative, quantitative, and mixed methods approaches. Sage Publications.
Faisal, M. R. (2019). Business plan desain golok Banten dengan sarung berbahan kulit nabati kombinasi batu akik di Kabupaten Serang Provinsi Banten. Politeknik ATK Yogyakarta.
Febrian, R., Islam, M. F., & Yudistira, P. (2025). Peran budaya dalam pembentukan identitas manusia. RISOMA: Jurnal Riset Sosial Humaniora Dan Pendidikan, 3(2), 25-35. https://doi.org/10.62383/risoma.v3i2.623
Firdausi, I. A. (2017). Jawara dalam budaya Banten (Studi etnografi komunikasi mengenai jawara di Banten). LONTAR: Jurnal Ilmu Komunikasi, 4(3). https://doi.org/10.30656/lontar.v4i3.361
Haddad, M. A. (2022). Analisis nilai-nilai budaya religi golok Ciomas (Studi deskriptif pada pande golok Ciomas). Universitas Sultan Agung Tirtayasa.
Hafidz, F., Sari, H. P., Lestari, N. A., Alfariji, M. S., Putri, N. C., Rahayu, W., Rohmawati, W., Maulana, M. S., & Ginto, A. A. (2024). Eksistensi generasi muda dalam melestarikan tradisi warisan budaya seni "golok Ciomas" di era society 5.0. JERUMI: Journal of Education Religion Humanities and Multidisciplinary, 2(1), 388-397. https://doi.org/10.57235/jerumi.v2i1.1985
Haryadi, & Darmawan, R. A. D. (2021). Reverse engineering on golok Banten slash type. Journal of Energy, Mechanical, Material, and Manufacturing Engineering, 6(1), 75-82. https://doi.org/10.22219/jemmme.v6i1.16012
Humaeni, A. (2024). Fieldwork notes magic-planting ritual of golok Ciomas. Kawalu: Journal of Local Culture, 1(1), 89-92. https://journal.bantenologi.id/index.php/kawalu/article/view/25
Khaerunnisa, E., Setiani, Y., & Rafianti, I. (2018). Analisis keteraturan matematis pada budaya Banten. Prima: Jurnal Pendidikan Matematika, 2(2), 81. https://doi.org/10.31000/prima.v2i2.707
Mardiana, & Nopy, Y. (2025). The meaning and function of traditional farming equipment (Malan Manana) as a cultural and spiritual agency of the Dayak Ngaju and Ot Danum di Kalimantan Tengah. BALANGA: Jurnal Pendidikan Teknologi Dan Kejuruan, 13(1), 91-100. https://doi.org/10.37304/balanga.v13i1.12039
Mizani, A. S. (2023). Pengembangan perlindungan karya ekspresi budaya tradisional golok Banten Ciomas terhadap upaya pemanfaatan secara komersial oleh.
Muhyidin, A. (2021). Representasi kearifan lokal jawara dalam novel Kelomang (The representation of the champion's local wisdom in the Kelomang novel). Indonesian Language Education and Literature, 6(2), 175. https://doi.org/10.24235/ileal.v6i2.5230
Munsyid, Marnastiar, & Sudarto. (2024). Peran Nyangku dalam membangun kohesi sosial di kalangan masyarakat Panjalu [Universitas Galuh]. http://repository.unigal.ac.id/handle/123456789/6306
Nirmalasari, D., Sampoerno, P. D., & Makmuri, M. (2021). Studi etnomatematika: Eksplorasi konsep-konsep teorema Pythagoras pada budaya Banten. Teorema: Teori Dan Riset Matematika, 6(2). https://doi.org/10.25157/teorema.v6i2.5472
Nopianti, R. (2017). Makna ritual mulud dalam mewujudkan popularitas golok Ciomas. Patanjala, 9(1), 111-126. https://download.garuda.kemdikbud.go.id/article.php?article=738072&val=11636&title=MAKNA%20RITUAL%20MULUD%20DALAM%20MEWUJUDKAN%20POPULARITAS%20GOLOK%20CIOMAS
Nuhiyah. (2019). Perkembangan kesenian golok Ciomas di Kecamatan Ciomas Kabupaten Serang Banten tahun 1985-2005 (Kajian historis makna simbolis golok Ciomas). Universitas Sultan Ageng Tirtayasa.
Putri, B. T., Ayu, C. S., Ginting, M. A. B., Saidah, S., & Nasution, S. (2024). Budaya dan bahasa: Refleksi dinamis identitas masyarakat. Semantik: Jurnal Riset Ilmu Pendidikan, Bahasa Dan Budaya, 3(1), 20-32. https://doi.org/10.61132/semantik.v3i1.1321
Rakhmat, E., & Arisna, D. (2020). Video pengenalan senjata tradisional Ciomas Serang-Banten. Jurnal Ilmiah Sains Dan Teknologi, 4(1), 27-34. https://ejournal.lppm-unbaja.ac.id/index.php/saintek/article/view/825
Sahara, A. D., Fadillah, Moh. A., & Fauzan, R. (2023). Golok Seuat sebagai identitas budaya Banten. JAWI, 6(2), 135. https://doi.org/10.24042/00202361822900
Sasi, & Sulaeman, Y. (2025). Mengeksplorasi sejarah golok Ciomas dalam implementasi tugas pendampingan mahasiswa kepada masyarakat. Jurnal PkM Serumpun Mencipta, 2(2), 87-89. https://ojs.p3msm.id/index.php/sm/article/view/78/37
Sugiyono, S. (2017). Metode penelitian: Kuantitatif, kualitatif, dan R&D [Research Methods: Quantitative, Qualitative, and R&D]. Alfabeta CV.
Sulasno, S., Wahyuddin, W., & Agustin, F. (2020). Penerapan perlindungan hukum atas produk budaya kekayaan intelektual (KI) golok Ciomas di Kecamatan Ciomas Kabupaten Serang. LITERATUS, 2(2), 77-86. https://doi.org/10.37010/lit.v2i2.45
Yasa, I. M. A., Arnyana, I. B. P., & Suastra, I. W. (2023). Keris sebagai representatif manusia dalam peradaban masyarakat Bali di Lombok. Widya Sandhi: Jurnal Kajian Agama, Sosial Dan Budaya, 14(2), 88-107. https://doi.org/10.53977/ws.v14i2.1078
Yuwono, B. T. (2023). Mandau sebagai identitas budaya suku Dayak (Borneo, Indonesia). Jurnal Memetika, 4(2), 58-68. https://doi.org/10.20961/mjkb.v4i2.79260
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Jurnal Riset Rumpun Seni, Desain dan Media

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.





