Analisis Semiotika pada Poster Serial Netflix The Influencer Berdasarkan Teori Roland Barthes

Authors

  • Hendi Thamrin Universitas Bunda Mulia

DOI:

https://doi.org/10.55606/jurrsendem.v3i2.6206

Keywords:

Poster, Roland Barthes, Semiotics, The Influencer, Visual-Communication Design

Abstract

Film and television series posters play a crucial role as both promotional media and symbolic representations of a work’s narrative and themes. This study analyzes the semiotics of the Netflix series The Influencer (2024) poster, which highlights issues of social media manipulation, identity crisis, and digital power. Its success in reaching Netflix’s Top 10 in Indonesia indicates strong cultural resonance. Using a qualitative approach with Barthes’ semiotic method, this research examines visual elements such as color, typography, and composition to reveal the poster’s denotative, connotative, and mythological meanings. The poster functions not only as a promotional tool but also as a medium conveying complex social messages.This study contributes to the field of Visual Communication Design by providing insights into how visual elements shape meaning and audience perception. The findings are expected to serve as a reference for academics and practitioners in understanding and creating posters that are both aesthetically appealing and meaningful.

Downloads

Download data is not yet available.

References

Barthes, R. (2020). Elements of semiology (New ed.). Hill and Wang.

Chandler, D. (2017). Semiotics: The basics (3rd ed.). Routledge.

Chaysalina, I. (2023). Place branding through establishing IP mascot to increase economy in Indonesia using Pentahelix model. VCD, 8(2).

Chaysalina, I., & Nadya. (2022). Analisis poster film “The Boys in the Striped Pajamas (2008)” menggunakan pendekatan semiotika Roland Barthes. Jurnal Titik Imaji, 5(1), 69–76.

FlixPatrol. (2024). Top 10 most-watched TV shows worldwide in 2024. Retrieved from https://flixpatrol.com

Pratiwi, S. N. (2022). Analisis semiotika Roland Barthes dalam iklan layanan masyarakat: Studi kasus iklan anti rokok. Jurnal Ilmu Komunikasi, 10(1), 88–99.

Rarasati, R. A., Chaysalina, I., & Nadia, C. (2024). Retorika dan elemen desain dalam buku pengenalan emosi anak "The Color Monster". Visual Heritage: Jurnal Kreasi Seni dan Budaya, 6(2), 186–196.

Rosalia, R., & Hidajat, H. (2022). Perancangan video motion graphic sebagai media promosi "Interlac Probiotic" suplemen anak. Titik Imaji, 5(1).

Shalekhah, A. N., & Martadi. (2021). Analisis semiotika Roland Barthes pada poster film Parasite versi negara Inggris. Jurnal Barik, 2(1), 54–66.

Smith, J., & Lee, H. (2022). Visual composition in cinematic storytelling: The impact of lighting and framing on audience perception. Journal of Visual Arts, 58(3), 245–267.

Tamara, J. (2020). Kajian semiotika Roland Barthes pada poster Unicef. Journal of Education, Humaniora and Social Sciences, 3(2).

Thompson, K., & Bowen, J. (2019). Film art: An introduction (12th ed.). McGraw-Hill Education.

Wijaya, D. F., Tanjaya, C. W., & Yani, A. R. (2023). Analisis semiotika Roland Barthes pada poster serial Netflix "The Glory (2022)". Prosiding SNADES 2023, 1–10.

Yuliana, D., & Arifianto, H. (2021). Pemanfaatan media visual dalam menyampaikan pesan sosial pada desain poster kampanye. Jurnal Desain Komunikasi Visual Nirmana, 13(2), 45–56.

Downloads

Published

2024-10-31

How to Cite

Hendi Thamrin. (2024). Analisis Semiotika pada Poster Serial Netflix The Influencer Berdasarkan Teori Roland Barthes. Jurnal Riset Rumpun Seni, Desain Dan Media, 3(2), 01–14. https://doi.org/10.55606/jurrsendem.v3i2.6206