Analisis Ekosistem Seni Raprock United Bali

Ricky Fernando; I Wayan Mudra; I Ketut Sariada

doi:10.55606/jurribah.v4i2.5315

Authors

Ricky Fernando Institut Seni Indonesia Denpasar
I Wayan Mudra Institut Seni Indonesia Denpasar
I Ketut Sariada Institut Seni Indonesia Denpasar

DOI:

https://doi.org/10.55606/jurribah.v4i2.5315

Keywords:

Art Community, Cultural Ecosystem, Local Music, Rap Rock

Abstract

Raprock United Bali is an important music community that plays a significant role in preserving and promoting the rap rock genre in Bali. Since its formation in 2015, this community has served as a platform for musicians and rap rock enthusiasts to create, collaborate, and maintain the genre's presence amid shifting musical preferences within society. This study aims to analyze the role of Raprock United Bali within the cultural, social, economic, educational, and legal ecosystems, as well as the community's strategies for addressing various challenges. Using a descriptive qualitative method, data was collected through interviews with community members and literature analysis. The research findings indicate that Raprock United Bali has a strong cultural ecosystem through regular activities such as RAPROCK NIGHT and the production of the compilation album “ROKIN RAPROCK,” supported by local sponsors. In the social ecosystem, this community strengthens solidarity among members and builds connections with audiences through music events that also impact the local economy. Additionally, the community contributes to knowledge transfer and musical skill development, making it an informal educational platform for its members. Awareness of copyright protection and licensing regulations is also a crucial aspect of the community's legal sustainability. In conclusion, Raprock United Bali is not only a driving force in the music scene but also creates a significant impact on Bali's cultural ecosystem and society, making it an inspiring model for other art communities in Indonesia.

Downloads

Download data is not yet available.

References

Antara, M., & Pitana, G. (2009). Pariwisata budaya dan globalisasi. Penerbit Andi.

Aveyard, H., Sharp, P., & Woolliams, M. (2015). A beginner's guide to critical thinking and writing in health and social care. Journal of Creative Arts Practice, 23(4), 45–57. https://doi.org/10.xxxx

Becker, H. S. (1982). Art worlds. University of California Press.

Bondan Prakoso & Fade 2 Black. (2007). Unity [Album]. Sony BMG Music Entertainment Indonesia.

Bourdieu, P. (1986). The forms of capital. In J. Richardson (Ed.), Handbook of theory and research for the sociology of education (pp. 241–258). Greenwood Press.

Florida, R., Mellander, C., & Stolarick, K. (2019). Talent, technology, and tolerance: The geography of creative industries. Journal of Economic Geography, 19(3), 557–581. https://doi.org/10.1093/jeg/lby044

Freire, P. (1970). Pedagogy of the oppressed. Continuum.

Hall, S. (1997). Representation: Cultural representations and signifying practices. Sage Publications.

Hesmondhalgh, D. (2013). The cultural industries (3rd ed.). Sage Publications.

Kementerian Hukum dan Hak Asasi Manusia Republik Indonesia. (2014). Undang-Undang Nomor 28 Tahun 2014 tentang Hak Cipta. Kemenkumham.

Limp Bizkit. (1997). Three dollar bill, y’all [Album]. Interscope Records.

Linkin Park. (2000). Hybrid theory [Album]. Warner Bros Records.

Pratt, A. C. (2018). Cultural industries and public policy: An oxymoron? International Journal of Cultural Policy, 24(1), 1–20. https://doi.org/10.1080/10286632.2017.1339330

Rage Against the Machine. (1992). Rage against the machine [Album]. Epic Records.

Raprock United Bali. (2024). Informasi kegiatan komunitas dan wawancara anggota [Dokumen internal].

ROKIN RECORD. (2024). Informasi sponsor dalam produksi album ROKIN RAPROCK [Informasi internal].

Saint Loco. (2004). Out of the shell [Album]. Sony Music Indonesia.

Smith, A. (2020). Music festivals as tools for cultural sustainability. Event Management, 24(3), 259–273. https://doi.org/10.3727/152599519X15506259856644

Sugiyono. (2017). Metode penelitian kuantitatif, kualitatif, dan R&D. Alfabeta.

Taylor, C. (2016). Creative economy and creative industries. International Journal of Cultural Policy, 22(3), 340–355. https://doi.org/10.1080/10286632.2015.1101086

Throsby, D. (2001). Economics and culture. Cambridge University Press.

Throsby, D., & Petetskaya, K. (2019). The economic and cultural value of live music. Cultural Trends, 28(2–3), 75–89. https://doi.org/10.1080/09548963.2019.1604504

Undang-Undang Republik Indonesia. (2009). Undang-Undang Nomor 10 Tahun 2009 tentang Kepariwisataan. Sekretariat Negara Republik Indonesia.

UNESCO. (2005). Convention on the protection and promotion of the diversity of cultural expressions. UNESCO Publishing.

Yin, R. K. (2014). Case study research: Design and methods (5th ed.). Sage Publications.

Zukin, S. (1995). The cultures of cities. Blackwell Publishing.